PUBLISHER'S NOTE
Sallie Goetsch
INTRODUCTION
Elise Garrison, Texas A&M
'The Performance, the Genre, and the Director'
Wulf Koepke, Texas A&M
'Recreating the Playwright's Images: Directing Athol Fugard's *'MASTER HAROLD'....and the boys*'
Roger Schultz, Texas A&M
'Stage Performance in the Age of Virtual Reality: Part One (1)'
Judith de Luce, Miami University
'Stage Performance in the age of Virtual Reality: Part II'
Lee Horvitz, Miami University
'The Actor as Literary Critic'
Jay Malarcher, Louisiana State University
'The Male Actor of Greek Tragedy: Evidence of Misogyny or Gender-Bending?'
Nancy Rabinowitz, Hamilton College
'Did Women Sing in the *Thesmophoriazusae*?'
Philip Ambrose, University of Vermont
'Flesh or Fish or What?-- Euripides' *Orestes*'
Victor Castellani, University of Denver
'Tragicomedy as a Running Joke: Plautus' *Amphitruo* in Performance'
Timothy Moore, University of Texas
'Dramatic Genre and the Don Juan Theme'
Perry Gethner, Oklahoma State University
'Will the Real Medee Please Step Forward?'
Joy Sylvester, Texas A&M University