Playing around with Plautus, or "How can I be expected to act in front of all these people"
Postlude: Stage Setting and Space
Richard Beacham
The Masks of Pseudolus
Paul Monaghan
The Experience of an Academic in the Rehearsal Room
Oliver Taplin
Lyrics for Aristophanes
Gail Tatham
Vanguard Theatre Interpreting Classics: Ways of Classical Drama of Antiquity in Russia 1910-1920s
On Tairov's Phaedra in Kamerny Theatre (Moscow)
Dmitry Trubotchkin
(Re)Inventing Euripides' Bacchae
Robin Bond
From Athens to Magna Graecia: Dramatic Vision
Chris Dearden
Performance-Based Research into Greek Drama: What are its Limitations?
Michael Ewans
Plautus Plays Parnassus: Scripts, Books and the Making of Literature
Sander Goldberg
Performing Greek tragedy: a director's view
Elric Hooper
Oedipus at this point in time: Divine Will on a Secular Stage
Harry Love
Greek Drama in Rhodesia/Zimbabwe
Jessie Maritz
Antigone in Otago
Lilicherie McGregor
The Plautine Persona
Paul Monaghan
The University of Melbourne Roman theatres project: reality and virtual reality
Frank Sear
Cutting Comedies
Ian Storey
Masks for Menander: Imaging and Imagining Greek Comedy
Richard Williams