Staging Greek Drama
Kathryn Bosher
Can you hear me now? Implications of the New Research in Greek Theatrical Masks
Amy R. Cohen
Cross-Cultural Connections, Confluences and Contradictions in Masked Performance
Margaret Coldiron
Mask, Word, Body and Metaphysics in the Performance of Greek Tragedy
Paul Monaghan
Three Electras and the Multivalent Mask
Chris Vervain
The Acoustical Mask of Greek Tragedy
Thanos Vovolis and Georgios Zamboulakis
The Word and the Take: Writing for the Mask
J. Michael Walton
The 43rd Edition of Classical Plays at Syracuse's Greek Theatre: Sophocles's Trachiniae and Euripides's Heracles
Caterina Barone
Blake Morrison's Muppetry of the Penis: Review of Lisa's Sex Strike
Christian Billing
The Body and the Mask in Ancient Theatre Space: Perceptions, Coincidences and Diversions
Margaret Coldiron
David Wiles's Mask and Performance in Greek Tragedy: From Ancient Festival to Modern Experimentation
Zachary Dunbar
Sophocles's Electra and the Power of the Words
James Svendsen
Harlem becomes Electra: Review of Sophocles's Electra
James Svendsen